Money for nothing
- Main contributor
McLeod, Kembrew, 1970-
Explains how popular music is produced and marketed and offers an accessible critique of the current state of popular music. Examines the shrinking number of record companies, the centralization of radio station ownership, and the increasing integration of popular music into the advertising and commercial aspects of the consumer market. Also discusses independent bands and record labels.
Moore, Thurston; Chuck D, 1960-; DiFranco, Ani; Franti, Michael, 1968-; Hanna, Kathleen; Garofalo, Reebee; Marsh, Dave; McChesney, Robert Waterman, 1952-
Media Education Foundation
Performing Arts, Music; Economics, Business, Commerce, Labor; Music; Economics, Business, Commerce, Labor; Music trade; Popular music -- Economic aspects; Popular music -- Social aspects
North America; United States; Massachusetts; Northampton
- Rights Statement
- In Copyright
Access is restricted to patrons at the University of Maryland.
- Physical Description
48 minutes; color
Films @ UM
Access condition: campus-only.
- Other Identifiers
Filename: lms-090484; Fedora 2 PID: umd:75997; Handle Identifier: hdl:1903.1/11188; Catalog Key: alephsys003885914; OCLC: ocn664246227
This item is accessible by: collection staff, users in specific IP Ranges.